Wednesday, April 22, 2015
Admin Day
Someone gave me flowers for Administrative Professionals Day, which is cool and all, but a far more apt gift would be to stop calling me "Gloria."
Tuesday, April 14, 2015
A Small Playlist (Qualia)
Alone – Colin Newman
For
the longest time, I thought this was a This Mortal Coil cover, but it turns
out, they covered him. There is a
haunting beauty here, but I can’t ever listen to his song without thinking of
the sewing machine scene in Silence of the Lambs. Shudder.
Alone in the Wind –
Andrew WK
So
in a way it kind of makes sense that the PARTY PARTY PARTY guy is doing anime
ballads, but… but… but… it’s the PARTY PARTY PARTY guy doing anime power
ballads! PARTY! Wear your whites and go forth with the power of PARTY behind
you. Because: PARTY! Alone. In the
wind.
Androgynous – The
Replacements
This
one gets me on a number of levels – The Replacements are far and away one of my favorite
bands, and up ‘til this song, they were pretty much a hard-drinking,
guitar-driven dude drunk punk drunk garage band. Did I mention drunk? But
Androgynous slides into your ears as this kind of jazzy-poppy piano standard; a little
bit early Tom Waits with hints of Tin Pan Alley. A gritty punk band
singing a tender song about gender blending may seem a little bit wrong – but oh no, it's so
very very very much right.
Are ‘Friends’
Electric?/Down in the Park – Gary Numan
Many
of Numan’s songs explore the relationship between man and machine and hint at a
lost, lonely, disconnected future. At the time, they were written off as
post-apocalyptic new wave foolishness, but his imagery is very much coming
true. More eerie than qualia, but
there is a very peculiar and intangible quality in the lyrics that puts me just
a bit on edge whenever I hear it, but I also find it calming – the gentle piano
melody echoed by massive synthesizers is hypnotic. I couldn’t decide which of
these conveyed the beautiful loneliness best, so you get both.
Books About UFOs –
Husker Du
Another
MN punk band going all piano-softy. Show me your soft white underbelly, Huskers, it's ok.
Boys Keep Swinging –
Lorette Velvette
And
more gender blendery. The Bowie version of this song is totally
tongue-in-cheekly homoerotic, but it takes a whole ‘nother turn when sung by
Mizz Velvette.
The Cutter – Solex
This
song comes at you like a gale at sea - there are striking waves and no small hints at
dread and doubt. This is a cold, cold, cold song, and it pretty
much always ends up in the top 5 whenever someone asks about my favorite songs.
I love the Echo and the Bunnymen original just as much, but Solex’s is much
harder to come by so that’s the one that gets shared.
Dead Trumpets – Peter
Astor
This
song smells like clove cigarettes and absinthe spilled upon leather ballet
flats.
Don’t Let Her Go –
The Mind Spiders
When
I first heard this song, I thought it was a really great lost recording from
some near-forgotten ‘60s garage band. Evidently it’s not, it came out in ‘11.
But in my head it totally is and always will be an oldie. Which isn’t much as
far as janked perception goes; I just wanted an excuse to pop this song on here
because it’s been in my head all day and it’s really damn good.
Double Silhouette –
Mark Mallman
The
last time Mallman played in Seattle was a little bit magical – he was the
recipient of my very first fan letter ever; I’d written it in a flurry that
afternoon, and it sat in my pocket, getting ever more crumpled, until the end
of the night when I’d finally chugged enough gin to give me the courage to hand
it to him.
[Sidenote: I’m not sure how he knew me, or why, but about an hour before the show he had friended me on facebook, which was a crazy surprise. I felt my phone vibrate, saw the notification and did some sort of jibbly internal back flip. Aieee! That was the final nail in the “gonna hand the letter over” coffin.] Anyway, after the set, I handed over the letter and we talked for about an hour at the bar. I excused myself to go home and get some sleep, but he chatted me via fb messenger until the wee hours. So I was all giddy. Supergiddy. That show was promoting his newest album, which seemed to be all about a very painful breakup, and it’s all introspective and sad, but I can’t help but just get all warm and fuzzy when I hear it.
[Sidenote: I’m not sure how he knew me, or why, but about an hour before the show he had friended me on facebook, which was a crazy surprise. I felt my phone vibrate, saw the notification and did some sort of jibbly internal back flip. Aieee! That was the final nail in the “gonna hand the letter over” coffin.] Anyway, after the set, I handed over the letter and we talked for about an hour at the bar. I excused myself to go home and get some sleep, but he chatted me via fb messenger until the wee hours. So I was all giddy. Supergiddy. That show was promoting his newest album, which seemed to be all about a very painful breakup, and it’s all introspective and sad, but I can’t help but just get all warm and fuzzy when I hear it.
Every Word Means No –
Let’s Active
Summers
in the Midwest – hot, humid, dandelion fluff everywhere. Peeling the labels off
beer bottles, all lime green eyeshadowed behind novelty sunglasses, this is summer.
Gimme Danger – Iggy
Pop
I’ve written about this song before, so I’ll just copy/paste from an old blog – “Thanks to the magic of the rewind button, I can watch Jonathan Rhys Meyers and Ewan Macgregor make out for hours. In the context of Velvet Goldmine, it’s not just a kiss – it’s the truth behind the pageantry. It’s the foundation that supports all their other artifice; it’s the realization that to succumb to an emotion that potentially compromising you have got to be just a little bit naive. And daring. And devoted.”
I’ve written about this song before, so I’ll just copy/paste from an old blog – “Thanks to the magic of the rewind button, I can watch Jonathan Rhys Meyers and Ewan Macgregor make out for hours. In the context of Velvet Goldmine, it’s not just a kiss – it’s the truth behind the pageantry. It’s the foundation that supports all their other artifice; it’s the realization that to succumb to an emotion that potentially compromising you have got to be just a little bit naive. And daring. And devoted.”
I Live 4 the U That
Lives In My Mind – Tulip Sweet and her Trail of Tears
When
fantasy and reality are at odds, choose the one that suits you best.
I Need A Girl – Sean
Na Na
This
song is such a celebration of everything that is wrong with needy man-children,
but all twisted up in there is also recognition and possibly maybe even a
celebration of all the roles women are expected to take in relationships and in
life, for better or for worse.
Sort of the exact opposite of Joe Jackon’s “It’s Different for Girls.”
I’m pretty much sure that I’ve fit into all of those molds at one time or
another.
I Wanna Be Black
Sometimes – Dylan Hicks
This
is one of those sentiments that most people can’t really let themselves say out
loud. Gender blending is still a
bit risque, bit there are songs about it, and Pulp’s Common People is a great song about financial grass is always
greenery, but the race card is still oh so taboo. Musically, I Wanna is the farthest thing from the
object of desire – the melody silkily smoothed out on a vintage organ bears no
resemblance to anything put out by Tupac or Biggie Smalls. Nope. This is the
absolute whitest of songs.
Keep Searchin’ (We’ll
Follow the Sun) – Del Shannon
This
song peeks through the static of late night AM radio roadtrips. It's both the vast expanse of northern lights and the shining beacon of a roadside Shell station.
(Lord, It’s Hard To
Be Happy When You’re Not) Using the Metric System – Atom and his Package
While
l love the brainiac badassery and killer keyboard riffage, I have to admit that
my head simply does not wrap itself around the metric system. At all. My right thumb is 2.5 inches
long, how many kiloliters is that? Yardsticks are not pathetic!
The Man With the
Harmonica - Apollo 440 remix
Not
so much an update of a iconic western soundtrack, this piece makes me think of
dark back alleys and the secret joy lurking within them. Stepping gingerly
over the remnants of broken Bud Light bottles, the hot air of night beating
down on you, and dawn oh so very far away.
Night of the Pedestrian – Chicks on Speed
I’m
afraid of cars. I’m afraid of driving. I love the movie Crash. I love
Fahrenheit 451. This song is sexy.
The Return of Kind
Ropes – The Nihiti
Basically,
my brain’s soundtrack to rope bondage. Which, musically, is not dissonant, but
bondagely is. It’s a bit of control I fear giving up, but also kind of sort of crave
it so. It’s a violence that can be performed kindly and gently, and that is a
beautiful thing.
Sister Havana – Urge
Overkill
Urge Overkill is pretty much everything I love about early ‘70s glam rock gone wrong – hipster cocaine excess without humility, depravity without deprivation. I have the feeling that UO has always been a simultaneous ironic parody and wholehearted tribute to overblown arena rock, and for one hot minute in the 90s, we all rode their coattails out of the alternative college radio quagmire. And then fell right back into it.
Urge Overkill is pretty much everything I love about early ‘70s glam rock gone wrong – hipster cocaine excess without humility, depravity without deprivation. I have the feeling that UO has always been a simultaneous ironic parody and wholehearted tribute to overblown arena rock, and for one hot minute in the 90s, we all rode their coattails out of the alternative college radio quagmire. And then fell right back into it.
Stacked Crooked - The New Pornographers
This
songs needs to be screamed out at the top of one’s lungs while driving north on
gravel roads at 110 per. This song
should be a defining teenage anthem, sung while giving the finger to your mom.
This song needs to wear tight leather pants and no bra.
But it’s just so… soft and cuddly.
But it’s just so… soft and cuddly.
Waiting for the
Cheerleaders to Get Drunk – The Feeling of Love
It’s
bored, it’s impatient, it’s urgent, it’s kinda rapey… and it’s pretty much a
play-by-play retelling of all the high school parties ever. The pressure behind
this song is palpable – it’s the soundtrack to letterman jacketed boys urgently
waiting for the Boone’s Farm Tickle Pink to take hold. The beat of this one,
though, the driving bassline especially, pushes it way into the ZOMGSEXXAY
side, because I like songs that sound like this. Hnnnng.
We Love You – The Rolling Stones
I
grew up in a Beatles household. In my family, The Beatles were the origin and
the definition of rock and roll. But… I preferred The Stones, The Kinks, and
The Who. It’s one of those things that should not be a big deal, but really,
deep down, it was one of the first ways I truly disappointed my parents. How dare I?! This may have been the
first inkling that I wasn’t of the family, that I was indeed plucked from a box
of howler monkeys.
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